Wednesday, May 29, 2013

National Register of Historic Places, 2013 Additions, Brooklyn, NY

An Installation Project

Capitoline Grounds, plaque located on northwest corner of Nostrand Avenue & Jefferson Street

National Register of Historic Places, 2013 Additions, Brooklyn, NY consists of ten handmade plaques placed in ten locations in Brooklyn. These plaques designate each site as possessing “national significance in commemorating the history of the United States of America” and provide facts explaining this historical significance. These facts are all based on research conducted at libraries and archives, but the designation itself is false. In creating historic landmarks and marking them with fabricated plaques, I question how historical memory is recorded through our built environment, one of most visceral ways we experience the past.

New York City’s history is shaped by what has survived constant destruction and remaking. Collective memories are often lost along with the alteration or destruction of buildings. National Register seeks to bring ten places back into the visual history of our city, in a borough that finds itself the new playground of developers and speculators. Eight of the ten buildings commemorated in National Register are gone; the other two are significantly altered. The contrast between these vanished buildings and what now stands in their place is often stark: where the bath house once stood is a glazed condominium tower; a self-storage complex now occupies the footprint of the rink where roller disco was born. This contrast between our contemporary urban environment and that of the past can be more informative than the physical remnants of the past that still remain. Thus National Register is not a product of nostalgia but rather seeks to present a historical narrative that includes the present.

As the title suggests, National Register adopts the official language and plaque format used by the National Park Service (NPS), which sets supposedly stringent guidelines for what may be deemed nationally significant. Yet official historic designation is often arbitrary, subjective and corrupt. The NPS’s self-written history tells the story: “like any government program it has not been immune to extraneous influences. Such influences are manifest in landmarks illustrative less of American history than of the force behind their designation.”

Since the NPS’s official process often leads to arbitrary and even false designations, the sites in National Register were chosen randomly by picking locations on old fire insurance maps. Despite this indiscriminate process and the seeming banality of each site, research revealed historically interesting information about each one. Taken as a whole the ten plaques suggest that every lot on any block can reveal historical understanding of place; the historical narrative told by the structures that survive the ravages of time or are intentionally preserved is only one of many. 

Map of Plaque Locations

View National Register of Historic Places, 2013 Additions, Brooklyn, NY in a larger map

Installation Photos

Bethelship Seamen's Branch YMCA, plaque located at 46 Sullivan Street

Bethelship Seamen's Branch YMCA plaque in situ

Butterick Publishing Company, plaque located on 4404 18th Avenue, at the corner of McDonald Avenue

Butterick Publishing Company plaque in situ

Capitoline Grounds, plaque located on the northwest corner of Nostrand Avenue & Jefferson Street

Capitoline Grounds plaque in situ

Gettysburg Cyclorama, plaque located on the north side of Joralemon Street between Clinton & Court Streets

Gettysburg Cyclorama plaque in situ

Empire Roller Rink, plaque located at 200 Empire Boulevard
Below: Empire Roller Rink plaque in situ

Gerritsen's Tide Mill Plaque, plaque located on the northeast corner of Avenue V & Burnett Street

Gerritsen's Tide Mill Plaque plaque in situ

H. Kohnstamm & Co., plaque located on 551 Columbia Street
Below: H. Kohnstamm & Co. plaque in situ


National Licorice and National Lead Companies, plaque located on John Street between Gold Street & Hudson Avenue

National Licorice and Lead Companies, plaque in situ
Robert Graves Company, plaque located at 153 35th Street
Robert Graves Company, plaque in situ

Sylvan Electric Baths, plaque located at 160 Schermerhorn Street

Sylvan Electric Baths, plaque in situ


  1. Anna,

    We'd love to see you share your fabulous historical markers on Findery:

    Please let me know if there's anything I can do to help.


    Heather Champ
    Content & Community, Findery

  2. Hi Anna,
    I absolutely love this project! Do you have any plans to expand it beyond Brooklyn? I'm always searching for new stories to tell, and this really resonates with me! I wrote a little guide to NY factories (and former factories) for Time Out, and would love to chat with you about this project and whether we might be able to cover it.

    Jessica Leigh Hester
    Associate Editor, Country Living magazine

  3. I absolutely love this, and appreciate and am in awe of what you are doing. Ken Micallef

  4. That's Jefferson Avenue, not Jefferson Street.

  5. What's the text of the bath house plaque?

  6. FYI REPOhistory was a group of artists dedicated to a similar project in NYC in the 1990s:

    Founded in New York City in 1989, REPOhistory was a multi-ethnic group of writers, visual and performance artists, filmmakers, and historians.

    The organization was named after the concept of "repossessing history." REPOhistory's goal was to relocate, retrieve, and document missing or absent historical narratives from specific sites in New York City. In order to accomplish this goal, the group created public installations, performances, educational activities, printed matter and other visual media. REPOhistory tried to insert into history stories of peoples and events which had previously been omitted. Through this process, they sought to question the ways in which history is constructed. Their scholarship and work addressed historical issues of race, colonialism, class, gender. REPOhistory brought together artists and scholars for six major public projects and several other smaller events. The group believed that the arts were essential to shaping a collective cultural identity and their work instigated a questioning of the cultural practices of the 1980s and the early 1990s.[1] [2]

    1. This is amazing! Can, I ask if you were involved? I would love to talk with someone who was active in REPOhistory.